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DJ King Kraut puts on his only vinyl record, and what do you hear? The first song from the current BROILERS album. Whether there’s anyone out there, I don’t know, but this record has been around for a while; it probably sat under the last Christmas tree for fans. If this song hasn’t become an instant live hit for the band, I’ll eat a mop, because all the elements from the anthem toolbox are so obviously used as you learn in a pop seminar, first semester:
A yearning vocal entry with lots of reverb, the singer stands alone on stage, backlit by a spotlight and fog machine; the first wooohooohooo, where by then the whole hall will be singing along; lights march, the whole band kicks in and rocks confidently, but not too hard, to the chorus that you won’t forget even after the twentieth beer – because you can now sing it along from memory until the end of the song. A bridge was not forgotten, nor was a tension-building tempo reduction; by the way, the expert recommends igniting the pyros during the last, subsequently exploding chorus and subtly increasing the tempo so that even the last doubter knows that the song is meant for him. Because the lyrics can resonate with anyone who has a heart beating in their chest, romantic, yearning; there must be some magic at work if I feel the same way as Sammy Amara?
No, it must be so, because I bet every person can enjoy some song full of pathos; at festivals, those are truly the big moments. Then there’s another blissful person in your arms whom you can kiss at the right moment, or your drinking buddies, to celebrate friendship forever, that’s how I imagine it. Hey Lindolfo, do you remember when you fell asleep while peeing at the TOTEN HOSEN concert, and I just barely managed to drag you back into the crowd in time to celebrate "Bis zum bitteren Ende"? You need pieces like that in certain moments, like a film needs a soundtrack.
