The association "Rammstein singer" is of course obvious. However, Till Lindemann has long been a highly interesting solo artist as well. The stylistic diversity and creativity of his own productions continually astonish. A current example is the new single "Ich hasse Kinder" ("I Hate Children"), fitting for the "International Day of the Child". Lindemann addresses a common scene of a screaming toddler on a plane, in a bus, or on a train. But those who study the lyrics more closely quickly realize that he truly loves children - irony emoji: at least his own!
The link to the video for “Ich hasse Kinder” is as follows:
https://www.youtube.com/watch?v=GbfeH6Q8PzY
Till Lindemann is a true one-of-a-kind in pop culture, constantly exploring new avenues, also as a poet or visual artist. His programmatic denominator is surprise. He knows no musical inhibitions. Neither with the hit "Alle Tage ist kein Sonntag" ("Every Day is Not Sunday") in duet with violinist David Garrett, once morbid-classical, once in a brutal techno mix, nor with the recently released Russian-sung classic "Lubimiy Gorod" ("Beloved City"), an emotional soundtrack ballad for the film drama "Devyatayev" along with orchestral version and video, which was filmed in the empty St. Petersburg Hermitage.
Also just released is the concert film “Live in Moscow” from his now-ended “Lindemann” project with Swedish multi-instrumentalist Peter Tägtgren.
